Tomorrow I’m moving out of the Torpedo Factory studio that I’ve been working in for the past couple of months. It’s been quite an experience – and it’s amazing how much the look of the studio has changed over time. You can take a look at my pictures from when I first moved in to get an idea of what changes I made over time.
I’ll get to work for a couple of hours before I start packing things up. I’ve already made some space in my apartment to serve as my home “studio.” And although I have a nook set aside for myself, I think that in the next couple of months I’ll want to focus more on making animations. We shall see…
Above is a shot of my wall and pedestals complete with lettering that I taped to the wall. I noticed that a lot of visitors previously thought all my pieces were paintings and would just walk on by. The lettering really helped me out – it would catch their eye, drawn them in, and make them realize that it was made of paper.
A few weeks ago I moved in a small desk that you can see towards the back there – I turned it into my work desk so visitors would have a better view of me collaging when they walked in.
Some of the magnet packs I made – I sold quite a few of these at the studio. They were pretty popular – and seemed to work well with all the tourists that come in and out of the art center.
And here’s an image of my guest book, magnets, note cards, and digital picture frame that showed a slide show of my other work that wasn’t hanging in the gallery.Anyway, although I’m moving out and one more thing will be behind me, I’m really looking forward to what’s coming up these next couple of months.
People are often curious about how I construct my collages, so I thought I’d share a few photos of the materials I use. Several of these pictures were included in my PowerPoint for the “Stories in Paper” artist talk.
For all my “work in progress” I use scissors, magazine pages, and Elmer’s acid-free glue sticks. Some people ask if I ever use X-Acto knives and I don’t – I’ve found that good old scissors work fine for me. I think X-Acto knives would be something I’d use if I wanted to be very precise with the shapes I cut out. Since my goal is to make each collage reminiscent of a painting, there isn’t a need to be so precise with the shapes of my magazine cut-outs. It works better if my shapes are eye-balled and looser.
I use acid-free glue sticks as I work because of how flexible they are. The glue isn’t permanent, thus I can easily lift up collage pieces and move them around. I can peel back magazine strips in certain areas to let previous layers shine through. Once I’m finished with a piece, I go back in and varnish the entire work to seal it all together and to help protect the paper.
Usually I’ll work with a couple piles of magazines surrounding me. That way my materials are at my fingertips – I can easily grab a magazine and start paging through it if I’m searching for a specific color or have an idea of a texture I’d like.
Sometimes I’ll tear out magazine pages based on their color and texture and file them away in folders. That way, if I’m working on a collage and I’m in need of a specific color, I don’t have to hunt around for long – I can simply pull out the folder filled with magazine pages of that color.
Here’s a picture of me working with a glue stick and scissors as I cut out magazine strips for a landscape piece. This picture was taken by a writer from the Gazette Packet who wrote an article about the visiting artist program that I’ve been a part of.
And here’s an older picture of myself sitting on the floor working away on a collage I completed in 2008. Sometimes the floor is just the best workspace – you can really spread out with all your piles of paper.
So that’s everything for now. I’ll revisit my process another time to focus on another aspect of it.
This piece was inspired by a trip that I took the Smithsonian’s Natural History Museum. A lot of my animal collages are inspired by trips to the Natural History Museum when I swing by their animal exhibits – or the National Zoo. I’m really having quite a bit of fun making animal collages – after making so many figurative pieces earlier this year, it’s definitely a nice change of pace.
I’m beginning a lot of exhibition prep work for the animal exhibition that goes up this coming Sunday, August 1st. My “to do” list includes framing all the artwork, preparing an artist talk, and getting together all my postcards, business cards, etc. to set out during the show. We shall see how it goes…
So my brother has done it again – for the opening for “Stories in Paper” he took a bus down from NYC just to spend a couple of hours at my reception before heading back up. He took a lot of video at the event and then edited it all. So if you missed the opening, or simply live too far away to come see the show, here you can get a taste of what it’s like being in the gallery space:
Inspired by a walk through the National Zoo – these two pelicans were swimming about in the seal exhibit. Again you can see I’m drawn to the blues in water. There’s just something that’s really fun about working with reflections in water.
In other news, I was pretty excited today to receive my contract for my solo show at Krempp Gallery in May 2011. It’s in Jasper, Indiana, although I’m planning to take a road trip when the time comes to deliver about twenty to thirty collages for the show. One of my goals this year was to get an exhibit in a gallery from a state that I’m not affiliated with at all and I’m pleased that my work will be off to the Midwest before long.
Anyway, I’m off to work on getting things a little more organized around my room. I’ll be busy with quite a bit planning these next couple of weeks.
This piece was inspired by one of my visits to the Natural History Museum. I decided to make him a blue rhino because I’ve found that blue is just one of my favorite colors to use in collages. There are also so many different shades and textures of blue that you can find when flipping through magazines. I suppose I’m just drawn to the variety.
So things are still a little bit busy. I’m currently working away on a few landscape and cityscape pieces for an upcoming show. And goodness – time is just flying by. I can’t believe it’s mid-July – before long I’ll be packing up the studio and leaving the art center. It’s been a great two months. I’ve learned quite a bit from it all. And so we move on…
My crazy week of artist talks and lectures is over with. You can check out the Art League Gallery’s blog post on my blog lecture from the other day. A few down, and many more to go. With each presentation, I learn quite a bit from what is working and what needs improvement. For the upcoming animal solo show, I’m doing another artist talk. Since I’ll be talking about my source of inspiration for animal collages, it will be a little different than my recent talks.
Anyway, it’s getting a tad bit late, so I should go off to bed soon. I hope everyone had a happy Monday!
This little guy was hanging out at the zoo and I just had to do a collage of him. I immediately loved his inquisitive little face. I had some fun with the texture in this piece.
Anyway, things are still pretty busy. I’ve decided to do another artist talk for my upcoming animal exhibition in August. So…more things to plan for. I really am loving what I’m doing though – which explains why I keep trying to take advantage of every opportunity that walks on by.
Another piece I completed while being a Visiting Artist at the local art center. It’s another piece inspired by one of my trips to the National Zoo. I’ve completed quite a few animal collages there last month and now I’m off doing a few landscape/cityscape pieces.
I’ve enjoyed my time in the open studio, and at the end of this month that position will be over with. Time really does fly! I’ve met quite a few wonderful as well as interesting people during my time there. I’ve also realized that I don’t think having an open studio year-round is quite the right thing for me – I prefer having the flexibility to dabble in a variety of things as a means to get my work “out there.” So this Visiting Artist position has been just the right thing for me – it’s given me a taste of what it’s like working in a studio that’s open to the public – and also setting up shop there.
Anyway, it’s getting late, and I should start planning out one of the talks I’m giving this week. I hope everyone had a happy Monday!
I had a blast at my opening reception for “Stories in Paper” on July 8th. Here are some photos that my dad took during the opening:
Here you can see my name on the wall along with the title of the show. I made sixteen collages for the exhibit but we could only fit fourteen in this space.
Here I am talking to a few of the visitors.
People mingling in the gallery before my artist talk.
An HDR shot of my brother filming the gallery – he came all the way from NYC just for the opening. What a surprise!
Beginning my talk – the gallery set up a projector for me so I could show slides as I discussed my work. It was especially helpful since I could show photographs of each step for my work in progress.
The crowd standing near one of the solo gallery entrances – you can see a bit of the work from the all-media membership show for the Art League.
And an action shot of my talk.
I can’t believe the reception is already over. The show was scheduled for 2010 back in 2008, so I had a couple of years waiting for this exhibit.
In other news, it’s been a few days since my last blog post – I’ve been quite busy preparing for the next couple events I have planned in my agenda. This week I’m giving a little talk and demonstration to a collage group that’s stopping by my studio, and on Thursday I’m giving a lecture on blogging.
Opening Reception & Meet the Artist: Thursday, July 8th, 6:30 – 8:00pm
Artist Talk: 8:00pm following the opening reception
Megan had her second major solo exhibition, “Stories in Paper,” at the Art League Gallery in Old Town of Alexandria, Virginia. The show featured work that depicted narratives of individuals and groups of people.
The work on display was entirely different than the series shown at the Fisher Gallery.